Claudia Roth Pierpont is a staff writer for the New Yorker, where she has written about the arts for more than twenty years. The subjects of her articles have ranged from James Baldwin to Katharine Hepburn, from Machiavelli to Mae West. A collection of Pierpont's essays on women writers, Passionate Minds: Women Rewriting the World, was published in 2000 and was nominated for a National Book Critics Circle Award. Pierpont has been the recipient of a Whiting Writers' Award, a Guggenheim Fellowship, and a fellowship at the Cullman Center for Scholars and Writers of the New York Public Library. She has a PhD in Italian Renaissance art history from New York University. She lives in New York City.
Philip Roth - one of the most renowned writers of his generation - hardly needs introduction. From his debut, Goodbye, Columbus, which won the National Book Award, to his Pulitzer Prize-winning American Pastoral, to his eternally inventive later works such as Exit Ghost and Nemesis, Roth has produced some of the greatest literature of the past hundred years. And yet there has been no major critical work about him, until now.
Here, at last, is the story of Roth's creative life. Claudia Roth Pierpont tells an engaging story even as she delves into the many complexities of Roth's work and the controversies it has raised. This is not a biography - though it contains many biographical details - but something more rewarding: an attempt to understand a great writer through his art.
Pierpont, who has known Roth for several years, peppers her gracefully written and carefully researched account with conversational details, providing insights and anecdotes previously accessible only to a very few, touching on Roth's family, his inspirations, his critics, the full range of his fiction, and his literary friendships with such figures as Saul Bellow and John Updike.
Roth Unbound is a major achievement, a fascinating and highly readable work that will set the standard for Roth scholarship for years to come.
